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Orion; introduction

Next to my love to reproduce tiny ship parts in excruciating detail I also have a serious audio addiction. I spend nearly all my free hours listening to music, either in the background or sitting between my 5 large speakers, enjoying a great performance. I am (was?) very happy with these speakers but I also made the mistake of listening to a pair large KEF reference-series speakers outperforming my then-current speakers by a very wide margin. Of course, I couldn’t afford 5 of those speakers at all, so do-it-yourself project would ‘have to do’.

I read (part of) Dickason’s book, studied plans and building descriptions of many models, and read reviews of kit speakers. The most important thing I learned is that building a really good speaker of your own design will take many years of trial and error, studying, changing and tinkering and continuous revising. I already have a time-consuming hobby, so what I needed was a very good off-the-shelf design. Which one to use?

Getting good advice was difficult at first. Most audio magazines seem to have no understanding of electronics, acoustics and psychoacoustics. They’ll give good review to speaker cables and products that have no influence of the sound whatsoever. One of the more interesting and polemic websites running in the opposite direction is The Audio Critic, by Peter Aczel, who has written a few very interesting columns among which the seminal paper “The ten biggest lies in audio” which should be required reading for and adulated by every audio journalist. His wonderful review of the Orions carried a bit more weight and once intrigued I started noticing they are appreciated very well by people who design and build their own speakers and amplifiers (i.e., people who know what they are doing). Of course, I did pass the Orion website a few times, but was always taken aback a bit by the looks of the speaker; it’s not particularly becoming of speakers of expensive pedigree—not what I was aiming for —but let’s summarize it by saying they are not particularly easy on the eye. After reading up a bit I decided to buy the Orion plan set anyway, directly from the designer, Siegfried Linkwitz.

NEXT

Introduction
The plan
Design changes
Signal processing
The listening room
Production
Listening

Custom Photoetch Set Part V

I’ve recently bought a new airbrush and started to experiment with painting. I thought I had the proper wash/rinse/primer order figured out but the primer didn’t hold well and the UP launchers and cordage reels are now ruined. I blame the Vallejo primer that doesn’t adhere to the Alpaka (neusilber) nor to the resin I used. Vallejo primer doesn’t spray as well as basic Humbrol enamels that give better adherence and scratch resistance; why even use a primer? Back to the etch.

I copied the ruined parts to a new fret and made some modifications.

This time I was prepared for the correct Autocad-to-Illustrator sequence, working more with lines with a given thickness to create meshes, no filling in Autocad but only in Illustrator; this new set was only a few hours of work. The UP-launcher design was one of the oldest and was redesigned. As I’m now more comfortable with soldering, I decided to add new funnel grills and I wanted to solder the cordage reels anyway because the glue bond isn’t that good. Other parts are some wooden gratings for the bridge, an oar rack, some spare pompom sights (I’m quickly running out as they damage easily) and new railing; why not have railing in brass?

Flag Lockers

This is a nice image from the Seaman’s pocket book of a few flags used by the signalmen, reproduction of the 1943 version. I thought it would be a nice idea to add some colours to the flag lockers.

Here’s a pic I took of HMS Belfast’s flag locker. The text on the top row is hidden in this image but reads P1 to P9 plus P0 for a few naval pendants. Most ships carried several of these lockers and images of HMS Hood before her final reconstruction show as many as 6 flag lockers, afterwards at least 4. The HMS Hood site even shows a flag locker in the wreckage but of a different type, which I cannot trace to any location at the moment. I did find images of the four flag lockers of the standard type as on HMS Belfast.

These are the small models. Note the larger openings on the one-but-lowest row. They worked out quite nicely (which isn’t a surprise as these are the second version after ironing out a few minor design errors).

Here you can see what flag goes what cell of the locker. As each cell is about 0.3 by 0.3 mm there is no room to paint anything but solid colour.

So I made a small colour map with the dominant colour. Yellow & red flags become orange, green & white light green, blue & white light blue, blue & yellow become green. Red & white may become pink so I decided they are folded such that only one colour shows. If adjacent colours are the same the flag will be ‘folded’ differently as well to keep the appearance of variation; the flags with more than two colours allowed for some variation.

I prepared some styrene strip (Plastruct) and added some colour. Here you can see blue, red, and black ‘flags’. These are for the one-but-lowest row, wide openings. For the other flags I painted the tip of the strips. These were cut to size with the chopper and inserted with tweezers. Sometimes they didn’t fit and had to be removed. Sometimes they could only be removed by drilling them in with a 0.3mm drill and carefully removing what’s left. I had one drill broken and the tip couln’t be removed; the end of that flag locker. As the strip/rod of Plastruct or Evergeen is never exactly constant in its dimensions, some strips fit better than others so they were fixed with a drop of varnish. More strips lie on the floor than fit in the lockers. T His was a good reason to stop my attempt to add some striping to the ‘flags’ to add even more detail.

The flag lockers were taped with their backs to styrene sheet and filled carefully. Minor damage to the base coat of the lockers is visible but I like the result. These will be added to the model after general painting to avoid embarrassing errors with masking…

Octuple pompoms, part III

Continuing from part II.

Because I though it would be fun, I purchased drawings of the quadrupple guns along with the Mk V and MKVIs of the octuple pompoms to make small models to be distributed by any manufacturer. If you have seen the barrels of Master from Poland, you know you are dealing with a manufacturer who’s really committed to accuracy. I asked them if I could trade a few custom barrels for the etch design and a few parts. They said yes! However, having accurate custom made barrels as tiny as a 1:350 40mm gun is great but now my models couldn’t be so awkward that only I can handle them; other people have to be able to make them as well. So, I decided to make a series of prototype guns. One set of three guns is for my own model and will be a set of no-comprise all-singing-all-dancing models. One set of three different guns will be made for Master for casting. One set of two guns will be made as a demonstration showing that all parts—etched or cast—will actually fit. I made a series of parts and the best parts were selected for casting, the worst part was for the test-fit model and the rest are for my models.

Here’s a production drawing that was sent to Master. The cooling (heating) sleeves around the guns are placed eccentrically but not on the models. A small rod will be placed inside the gun cradle master so that all guns will fit nicely. The bottom drawing shows a version of the gun with additional sleeves (Remote powered versions). Perhaps some drilling is required for the cast parts. Note that both short and long barrels are designed for the inner and outer guns.

The gun cradle started as one main part with a smaller detailed part glued to its inside. The MASTER model will be a monoblock.

The gun cradle block was drilled through using the drill press. I had to first position the drill and to then take a picture using the macrosetting of the camera to see if the drill was set properly! Perhaps I should buy a visor or magnifying lens?

Small detail parts were added to the roof of the gun cradle. I use Tamiya tape to position the part and use a 0,1mm brass wire to apply a drop of glue. The gun cradle of the quadrupple gun is seen at right.

All MASTER gun cradle parts are now complete. The parts are fitted with disks or rods to help aligning them in the main etched parts.

There are two pieces of equipment at the front of the model; an electric motor and the hydraulic pump. Here’s the production drawing for the electric motors. With these small parts, you really have to plan ahead and such CAD drawings are of great help to me.

Here are the models of the electric motors situated front left on the model. They are a combination of lathed parts and rings made with the punch & die set (I make all rings on the lathe now, the punch & die is not accurate enough). The brass wire is 0.1 mm thick.

The pump for the hydraulics is on the other side. This part is much more complex than the drive motor. A lot of pipes run from this gear to various points around the weapon. It appears to be an iron cast housing of complex shape. I made an approximation for this part. The final part isn’t really as accurate as the drawing might suggest. This part was so time consuming to make that I decided to make one and cast the rest. Among other small parts I decided to cast are two hydraulic units behind the ammo trays, bolted to the side of the main gun frame.

This is an overview of all the parts. The top left part of the image shows the hydraulic pump and drive motor situation at the front of the gun. The image top right shows the elevation drive with one of the hydraulic pumps below it, also shown bottom left. The bottom right image shows the rear of the guns protruding from the rear of the main gun housing.

These are the test-fits of the demo models. The parts are assembled a bit wobbly… I was so preoccupied with detailing the modes that I forgot that HMS Hood carried one Mk VI. The main etched part for the gun cradle is now a Mk V but the rest of the parts are not. Complaint forms can be downloaded at the IPMS main website. Anyway, the fit is fine but some parts were very difficult to align. Many of these errors were ironed out for the second design. These etched parts arrived last week.

The new design works much better. It’s made from brass so I could finally solder all parts; no glue so far. I have no experience with soldering but you learn a lot in a day. One ammo tray took hours, disassembling itself when re-adding heat; the second one was produced quite quickly. Still, these are very tricky models to make but the results should be well worth the trouble!

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